Letter on 'The New Colossus'
From: Emma Lazarus
To: Constance Cary Harrison
November 2, 1883
New York City
Letter Content
Dear Mrs. Harrison,
I have written a sonnet for the Bartholdi pedestal fund. It speaks of the statue not as a symbol of liberty enlightening the world, but as a mother welcoming the homeless and tempest-tossed to our shores.
You asked why I would contribute to this project when I have been so focused on the plight of the Russian Jews. But it is precisely because of my work with the refugees that this statue means so much to me. I have seen their faces as they arrive in this harbor - the hope, the fear, the exhaustion of their long journey. To them, this great lady lifting her lamp will be the first thing they see of their new homeland.
The poem came to me quickly, as if it had been waiting to be written. I called her the 'Mother of Exiles' because that is what America must be - not merely a nation of commerce and power, but a refuge for those fleeing persecution and poverty.
I wrote: 'Give me your tired, your poor, your huddled masses yearning to breathe free.' These are the people I have met at Ward's Island, the immigrants with nothing but hope and determination. They will build this nation as surely as any native-born citizen.
I hope the poem serves the cause. More importantly, I hope America lives up to the promise these words proclaim.
Your friend,
Emma Lazarus
Historical Context
Written when Emma Lazarus composed 'The New Colossus' for an auction to raise funds for the Statue of Liberty's pedestal. Lazarus, herself from a Jewish family, had been deeply moved by her work with Jewish refugees fleeing Russian pogroms.
Significance
The New Colossus became the most famous poem about American immigration, its words inscribed on the Statue of Liberty in 1903. Lazarus transformed the statue's meaning from a symbol of republican government to a beacon of welcome for immigrants, shaping America's self-image as a nation of immigrants.